Robert L. Forward has been
known for years as "the guy the hard science fiction writers go to when
they want to know about science." He's also a successful science fiction
writer in his own right, who has fictionally explored what life might be
like on Saturn,
in the Oort
cloud, and even on the surface of a neutron
star.
 |
 |
 |  | More Stories |
|  |
 | |  |
 | |  |
 | |  |
 | |  |
 |  | Related Links |
|  |
 |
|  |
 |
|  |
 |
Del Rey Books' recently republication
of Dragon's Egg, Forward's first novel, gave SPACE.com an opportunity
to talk with him about his work developing both books and real-world space
transportation systems.
What got you started in
the science fiction community?
I had written a lot of "science
speculation" articles for Analog
and other magazines, usually in the field of gravity. Jerry Pournelle wrote
a story in Analog about a spaceship so near a collapsing black hole
that it was damaged by the gravity waves emitted during the process, and
I wrote a letter to the editor in which I complimented him and asked for
his address.
I soon got a call from Jerry,
and we arranged to have him come to visit me at the Hughes Research Laboratories.
He asked if he could bring along a friend, Larry
Niven.
I gave them a tour and a
blackboard talk on all the weird things that I had found in physics that
they might find a use for in their stories, such as laser-pushed lightsails
for interstellar travel -- which they used in Mote in God's Eye
-- and miniature black holes, which Niven used in "Hole Man" and Jerry
used in something.
Jerry was in charge of the
Nebula Awards that year, and asked me to give the same presentation to
the attendees. Ben
Bova, editor of Analog, heard about it and asked me to turn
it into a "science fact" article. I soon collected a number of writers
who called me up to check out things.
And how did that lead
to Dragon's Egg?
Jerry Pournelle and Larry
Niven were asked by UCLA to run a semester long course on "Science and
Science Fiction", where each Thursday evening there would be a one-hour
lecture by a scientist, a one-hour lecture by a science fiction writer
and an hour of class discussion.
I agreed to be the "scientist"
one Thursday and talk about gravity, while Larry Niven would be the "writer."
He talked about the Frank
Drake concept of life on the surface of a neutron star, and how challenging
it would be to write a story where the time difference between humans and
the aliens was a million to one.
That evening, at the cocktail
party at Niven's home, I told him that I knew a lot about neutron star
physics and that I would be glad to write up a summary of the "correct"
physics so he could use that as the basis for a novel. He thought it was
a good idea, so I did.
About a month later, I brought
the background document to him, and he said something like, "I'm busy right
now. But I find it easy to collaborate, so if you are interested, why don't
you write the first draft of the story. "
"Since you are a scientist,
you will get the facts right, but the story will be (some polite term for
dull and pedantic), but I can fix that up. We split, 50-50, which is the
Pournelle rule for any collaboration."
I was delighted and went
off to produce the first draft of Dragon's Egg.
So how did you end up
doing the book on your own?
I brought the first
draft back to Niven, and he said he was still busy working on Lucifer's
Hammer with Pournelle, so why don't I just go ahead and finish the
book on my own. I did, and every publisher that looked at it said "It needs
rewriting by either Niven or Pournelle."
Finally, Lester del Rey took
pity on me, and sent me an 11 page, single-spaced critique of my first
draft, and said, "If you make these changes, I will read it again."
I did. He liked it, Judy-Lynn
[Del Rey] bought it, and I became a writer.
One of your early stories
was under a pseudonym: Susan Lull. Why?
"I Demand the Stars for My
Children" was written under a pseudonym because I had a science fact article
in the same issue of Galileo and the editor requested it. Since
the story was in first person female [voice], I chose the name my mother
told me would have been my name if I had been born a female, Susan Lull
Forward
The story is basically that
of my mother, Mildred Lull, who really was born before the Wright Brothers
flew, who did get to ride in an airplane when she was 13, and who touched
a moon rock before she died at 95.
The bit about being the first
American to see the Russian Sputnik
was told to me by a young woman who lived in California, who had been up
nursing her baby when Sputnik was halfway through its first orbit.
Did you use it again?
Any other pseudonyms?
I have not used that pseudonym
again, and now always write under my full name, Dr. Robert L. Forward,
since my son, Robert Dodson Forward, is also a writer, and his son Robert
McFadden Forward will probably be one.
I have used one other pseudonym,
"George Peterson Field", when I wrote my first science speculation article
"Pluto -- Gateway to the Stars", which I sent to Fred Pohl, who was editing
Galaxy.
He bought it for $75, but
I neglected to tell Fred my real name and the envelope -- addressed to
George Peterson Field -- was returned by the postman to Galaxy.
I finally got the check many months later.
What do you think?
Send your comments to the editor.