Interplanetary Art Smuggler Sought By Moon Mystery Detectives
In November
1969, a plot was launched to smuggle potentially priceless works of art by the
likes of Warhol and Rauschenberg out of the country. Despite it being carried
out during one of the century's most widely watched events, the art was lifted
in secret and deposited a quarter of a million miles away, where only a dozen
men would ever visit.
Now, four
decades later, detectives are hoping the public can help identify the
individual at the center of this caper: the person who sent six artists'
miniaturized masterpieces to the moon.
A
man known simply as "John F."
The
"Moon Museum" mystery is not the next case to be profiled on "America's
Most Wanted." Rather, it is part of the June 21 season premiere of
"History Detectives" on the Public Broadcasting Service (PBS). [Apollo
moon mission special report.]
"I will
never think of the moon in the same way again," said Gwendolyn Wright, the
host of "Detectives" and an architecture professor at Columbia
University. "This case truly surprised me. What I thought seemed
impossible, at first, became an amazing story of art winning its place
alongside science, and some playful innovation that is sure to intrigue history
buffs, space
lovers and art aficionados alike."
State-of-the-art
"History
Detectives" first picks up on John F.'s trail with a visit to Jade
Dellinger, a Florida art curator who purchased in an online auction a tiny
(three-quarters by one-half by 1/40-inch) ceramic "mini-canvas" with
six separate simple artworks etched onto it. Based on the information he was
able to glean from the sale's description and from further research online, the
ceramic chip, once the possession of an engineer who worked at Bell
Laboratories in the 1960s, was a duplicate of a collaborative art project.
"My
understanding is that Andy Warhol contributed," says Dellinger as part of
a conversation with Wright during the show. "Robert Rauschenberg
contributed and four other artists."
Wright,
after some online research of her own, learns that the wafer was organized by
another of the artists, Forrest "Frosty" Myers, who conspired to send
the first pieces of art to another celestial body.
"Going
to the moon was the biggest thing in our generation," Myers explains
to Wright. "My idea was to get six great artists together and make it a
tiny little museum that would be on the moon."
Myers, a
renowned sculptor, contributed a "linked symbol" that he called
"Interconnection." David Novros, an early
minimalist painter, and John Chamberlain, best known for creating sculptures
from old car parts, provided drawings that looked like circuitry.
Swedish pop
sculptor Claes Oldenburg shared one of his signature
interpretations of Mickey Mouse for the project. Robert Rauschenberg, famous
for his found-object collage works, drew a single straight line.
"Andy
Warhol decided he would do his signature, which was an 'A' and a 'W,'"
recounts Myers. Warhol's inscription however, when viewed from a certain angle,
appears to be a rocket or a part of male anatomy. "He was being the
terrible bad boy."
The original
works were drawn on standard-size sheets of paper. To shrink them to chip size,
Myers worked with an artist-engineer collaborative called
Experiments in Art and Technology (E.A.T.), which in turn put him in
contact with Fred Waldhauer, an engineer at Bell
Labs.
Waldhauer, using a process
similar to that used to create telephone circuits, reduced the sketches and
imprinted them on to a thin ceramic wafer. According to Myers, 16 to 20 of the
chips were produced.
"At the
time, this was state-of-the-art engineering," says Myers.
A.O.K. All Systems Are Go
The wafer
created, Myers next challenge was getting it to the Moon. He contacted NASA but
they expressed little interest.
"They
never said 'no,'" Myers explains, "I just couldn't get them to say
anything."
That's when
Myers' "Moon Museum" went underground.
Waldhauer told Myers that he
knew an engineer working at Grumman Aircraft, which was building the lunar
modules for NASA. That engineer, whose name was only known to Waldhauer, could secretly stow the Moon Museum under the
thermal blankets covering one of the legs of "Intrepid," the
spacecraft set to land on the moon with the Apollo 12
crew in November 1969.
"The
guy said immediately, 'Yeah, I can do this,'" explains Myers.
Now a
cloak-and-dagger caper, Myers needed a means to know if indeed his chip made it
onboard.
The telegram
arrived Nov. 12, 1969, just two days before the second lunar landing mission
was to launch.
"Your On 'A.O.K. All System Are
Go" (sic) the Western Union-delivered message read. It was signed
"John F."
"Then
there was cause for celebration," says Myers. "We went to the bars
and opened some champagne."
"I
haven't thought of the moon the same since," he says.
Who
is John F?
The
question, as Wright explains on "History Detectives," is who was John
F.? Only Waldhauer knew who he was.
"Fred's
passed away," Myers explains to Wright.
To try to
learn the identity of the man who smuggled the first art to the moon, Wright
reached out to Apollo 12 lunar module pilot Alan Bean, who after returning from
the moon chose to become an artist himself.
"This
is news to me," says the astronaut on the show. "I am not aware of
this chip going with us."
Of course,
given the way the chip was said to have been stowed, there was no reason for
the crew to know. And Bean admits that of the hundreds of people that worked in
and around the lunar module readying it for flight, he didn't know most of
their names.
John F. also
had good reason to keep his identity secret.
"I
would say that John F., if this is a truthful thing, would be risking his whole
career, what he's worked for all his life," remarks Bean.
But was John F.'s actions so unusual? Was he the only person to
secretly stow something aboard?
"There
were small personal items that the fellows put in between the [thermal]
blankets on the spacecraft," reveals Richard Kupczyk,
Grumman's launch pad foreman. Family photographs, for example, were tucked in
between layers of insulation on the lunar module.
"Never,
ever was there anything that was done to the spacecraft that would be a safety
issue," he quickly adds. "Was it wrong? Yes. But we were caught up
into this thing and we were good, and we knew it, and we left our mark."
That others at Grumman
were doing the same as John F. makes it likely that the Moon Museum is indeed
on the moon, says Kupczyk.
But a check
of the Grumman yearbook that listed all the engineers who worked there at the
time reveals only two men with the initials 'JF,' and neither claims Kupczyk had access to the spacecraft.
Kupczyk believes the name
may have been borrowed.
"When I
read the telegraph and I saw the way it was written, the first thing that
jumped into my mind was the fellow who started it all, JFK. So John F. Kennedy
jumped into my mind as a pseudonym, maybe," he says.
Will the
real John F. please stand up?
Faced with
no other leads to John F., "History Detectives" has turned for the
first time to its audience in the hopes that someone watching might solve the
mystery.
"So, if
you were John F., or you know someone who you think could have been John F.,
please let us know," says Wright.
Updates on
the search for John F. will be posted to the "History Detectives"
website.
The
case of the "Moon Museum" will air on Monday, June 21 at 9:00 p.m.
EDT on PBS, along with two other space history-related investigations.
In "Satelloon," professor of sociology at the University
of Pennsylvania Tukufu Zuberi
tracks a scrap of metallic Mylar that could be part of an early U.S. satellite
balloon. In "Space Boot," Elyse Luray, an art historian, tries on a
jury-rigged ski boot with a magnetic metal brick bolted to the bottom that may
have been a NASA prototype.
Click through to collectSPACE.com to watch the
"Moon Museum" segment of "History Detectives" before it
airs.
- Photos
- The Apollo Moon Landings
- Video
Show - The Brave Voyage of Apollo 12
- Special
Report - The Moon: Then, Now, NEXT
The case
of the "Moon Museum" will air on Monday, June 21 at 9 p.m. EDT on PBS
(check local listings).
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