Satellite radio is such
a remarkably simple concept that one might wonder why it took until 2001 for
the first space-based audio service to make its debut in the United States.
At least it’s simple on
the surface: Take a music, news or talk station, beam the signal up to a satellite,
and overcome the limitations of ground-based transmitters whose signals generally
drop off as distance increases. Then make sure the programming is more appealing
than traditional radio stations and cut down on the number of commercials in
exchange for a monthly subscription fee.
But as it turns out, satellite
radio is a whole lot more complex than it seems on paper – and it took cutting-edge
technology to make the systems operated by Sirius Satellite Radio and XM Satellite
Radio work.
XM and Sirius are not the
first companies to enter the satellite radio industry: Worldspace Corp., a firm
based in Washington, has provided satellite radio in Asia and Africa since 1998.
But Worldspace was intended primarily for use in fixed locations, while the
systems used by XM and Sirius are optimized to reach U.S. listeners on the go.
From
the ground up
It took a number of years
to develop the XM and Sirius systems.
Engineers had to figure
out how to squeeze dozens of individual channels into a relatively small amount
of bandwidth and come up with reliable methods of beaming signals from thousands
of miles in space to roving antennas smaller than tennis balls.
They also had to develop
inexpensive circuitry, or chipsets, to enable receivers to decode the satellite
signals, which are encrypted to prevent reception by non-subscribers. Both firms
are working on newer versions of their chipsets that will be smaller and use
less power.
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To
Space and Back
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1.
Sirius and XM both produce live and taped programming,
ranging broadly from Alanis Morissette, right, to sports
and news.
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2. The programming is beamed to satellites from
dishes operated by each company.
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3.
The satellites broadcast the signal back to Earth,
where it's picked up directly by receiver units. The
signal is also received and rebroadcast by repeater
stations in metropolitan areas. XM uses two geostationary
satellites (right) that remain constantly above the
United States. Sirius uses three satellites, two of
which are always over the country.
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4. A receiver buffers the broadcast for a few seconds,
so if it loses the satellite signal it can use one from
a repeater station, helping insure a continuous broadcast.
Overpasses and tall building are particular problems.
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IMAGE
CREDITS: 1-Sirius; 2-Sirius; 3-XM, 4-XM
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Sirius and XM each took
somewhat different approaches, although the end result, from a lay person’s
perspective, is the same: 100 channels of music, news, sports and other fare
available virtually anywhere in the continental United States. The companies
are trying to distinguish themselves with programming and attitude.
XM’s system uses two very
powerful satellites floating in space directly above the equator. The spacecraft
are in geostationary orbit -- they appear from the ground to remain in fixed
perches, because they move around the Earth at the same speed the planet is
rotating.
Geostationary satellites
are commonly used for all sorts of space-based communications because they enable
use of inexpensive, fixed antennas. Satellite TV and Internet systems are two
examples of consumer-oriented technologies that use this type of satellite.
Repeat
that, please
Since geostationary spacecraft
are above the equator, terminals on the ground must have a decent view of the
southern sky to receive signals from them. This posed a challenge for XM, since
listeners in cars often pass by obstacles, such as buildings, foliage or hills,
which can block geostationary satellite signals.
XM’s solution is a network
of repeaters – antennas on buildings and other sites that receive satellite
signals from an optimally placed antenna and retransmit them. The repeaters
are located primarily in built-up areas, where loss of the satellite signal
is most likely to occur.
Each XM receiver is equipped
to receive signals from both of the company’s Boeing 702 satellites and a repeater
simultaneously. As long as one of the sources is available, the radio will play
without interruption. In addition, the receivers have buffers that store programming
for several seconds, allowing operation to continue even if no signal is available
momentarily.
Sirius uses a trio of Loral
FS1300 satellites in unique elliptical orbits in an effort to avoid the problems
posed by geostationary satellites.
The orbits, shaped like
figure eights, allow the satellites to appear higher in the sky than XM’s, cutting
down on the potential for a listener to be out of range of a satellite signal
-- and allowing Sirius to have a much smaller number of repeaters.
Sirius’ repeater network
also avoids the need for specialized antennas that can track the company’s non-geostationary
satellites as they move about the sky, Sirius feeds its repeaters using capacity
on a geostationary satellite leased from a traditional satellite operator. Listeners
can’t tell that the signals they receive via the repeaters do not
travel over Sirius’ fleet of satellites.
The Sirius satellites each
spend about 16 hours over the United States, then whip around the other side
of the Earth and return eight hours later for another stint hovering over Sirius’
listening area, according to Ted Hessler, the company’s vice president of space
segment and enterprise operations.
Two Sirius spacecraft cover
the United States at any given time, Hessler said.
In the
studio
XM and Sirius both operate
digital broadcast centers that combine dozens of individual recording studios
with huge amounts of storage to hold hundreds of thousands of compact discs
worth of music in digital format.
Programmers just point and
click at the material they want to play, and it airs directly from the storage
system at the appointed time. During transmission, the system also adds a short
description of the music or other material for display on a small receiver screen.
That is
one unique advantage to satellite radio -- you can find out the artist and song
title as each piece of music plays.
The 22 terabytes of storage
capacity at XM’s facilities in Washington can hold about 250,000 CDs, said Anthony
J. Masiello, XM’s senior vice president of operations.
Terry Smith, senior vice
president and chief technology officer of Sirius, said his company’s studios
in mid-town Manhattan have about seven terabytes of storage. While that is less
than XM has, Smith says it’s plenty.
"Our library is constantly
being refreshed as new content comes in," Smith said.
Both companies also maintain
large collections of CDs to augment their digital libraries. They also retransmit
programming that originates elsewhere, such as news, sports and comedy channels,
and maintain studios where artists perform live.
Another, less visible key
to satellite radio is digital compression, a technique to use radio spectrum
as efficiently as possible. Both satellite radio broadcasters use sophisticated
algorithms to squeeze as much material as they can into the available bandwidth
without causing audio quality to degrade.
XM and Sirius are each allocated
12.5 megahertz of radio spectrum by the U.S. Federal Communications Commission.
Today's
Main Story
Satellite
Radio: Business is Booming
Next in this
Series, Thurs, Nov. 13:
Satellite Showdown: Dueling Radio Services Reviewed
Find out whether XM or Sirius is right for you.
Series
Outline