When you take in starlight with your eyes, your mind apparently lights up inside. That seems to be the consistent experience of the amateur astronomers profiled in "Seeing in the Dark," a PBS film by Timothy Ferris (Available on DVD).
The program takes on a tough challenge: to convey the sky via your TV screen without getting in the way of what the real sky can mean. As we hear from those who speak on-camera, observing with a telescope can simultaneously empower while making us feel ever so small. When confronted with the distances and powers of what they are seeing, sky-watchers are often humbled by their inability to put the sensation into words. Timothy Ferris, fortunately, is not. "To see a galaxy," he says, "is to see Time."
This is not
your standard one-dimensional, expository science documentary. "Seeing in
the Dark" is more like a reality show from inside a love affair. It's
roughly equal parts historical biography, contemporary people profile, gee-whiz
technology explainer and dazzling art-show. It meditates on thought and muses
about music. And Professor Ferris can't resist teaching a few astrophysics
lessons (nor should he). But the camera's eye always quickly refocuses on what
anyone can see in, and feel from, the sky.
Far from a
story of professional big-game star-hunting, the show features what nearly
everyone can see with any fairly decent telescope. "In my experience,
looking through a telescope is like listening to music," Ferris told SPACE.com
by telephone from his private observatory. "Most people can and do enjoy
it right from the start. But there are some folks who are tone-deaf."
[Hear
our complete PODCAST
"Speaking in the Dark" for his fascinating behind-the scenes
insights.]
The
Unexpected Obsession
Ferris
takes viewers to visit with more than 20 amateur astronomers (including his
younger self). We meet record-holding NFL running back Robert Smith, who
distributes the southern Florida skies to youthful seekers with his GPS-pointed
16-inch Schmidt-Cassegrain. We hang out with music producer Michael Koppelman—you
may have seen his name on records by Prince, Paula Abdul, Patti LaBelle and
others—as he snags the weary photons of a gamma ray burst across 11 billion
years of cosmic time. And we assemble spectacular color photo-mosaics with
radiologist Robert Gendler, who took up the hobby in his suburban Connecticut
driveway.
We get a
peek through the San Francisco Sidewalk Astronomers' homebuilt telescopes. We
admire the unique handiwork of the telescopically innovative crafts-folk at the
yearly Stellafane Convention. And we see just how easy it now is to run your
own robotic observatory, under pristine dark skies, from across the planet via
Internet. It becomes obvious that we're living in a Golden Age for amateur
sky-watchers.
[IMAGINOVA,
parent company of SPACE.com, produces Orion
Telescopes and Binoculars as well as Starry Night astronomy
software and educational materials.]
When
captivated by starlight, ordinary people ask unusually deep questions, often
finding themselves capable of pushing their personal envelopes and, once in a
while, advancing human knowledge of nature in profound ways. That's what happened
to musician William Herschel in the late 18th century. Ferris tells
the part of his story you probably never knew.
Scoping
the Film
"Seeing
in the Dark," based loosely on Ferris'
2002 book, casts the pursuit of the sky in a light not often seen on
television, and never captured so clearly. Special lighting and production
techniques let you see the pastime on screen much as you would in person. Yet
the narrative chooses to withhold a lot, preferring to not to instruct. Of
those who speak on-camera, only one is a professional astrophysicist, Debra
Fisher, and she adopts data taken by amateurs in her hunt for extra-solar
planets.
No one has yet seen such a planet up close. Nor has any human eye made out detail in the maelstrom about a black hole, nor watched over eons as cocoons of dust contract into stars. But the informed inner-eye of artist Don Davis has been to all those and more. Davis computer-tutored photons to bring visionary light to "Seeing in the Dark".
This could
well be the show your new flat-screen has been waiting for. Videographer
Francis Kenny shot in lightly compressed 1080p through Zeiss primes and good
glass telescopes. Director Nigel Ashcroft, whose credits include Peter
Gabriel's "Sledgehammer" music video, pushed and pulled Ferris' words off
the page and into scenes with a feature-film feel. And editor Lisa Day managed
to transmit the sensation of billions of years in under 54 minutes.
One could
say that this movie meanders. And, truly, it's not a linear narrative. But
that's traditionally been the nature of sky-watching. You star-hop; picking
your way across the sky and out into the deep Universe. It might, say, take all
night to gently float your way down the river of stars in the constellation
Eridanus. But what a long, strangely wonderful trip it could be.
Transit
of Ferris
Likewise for
Tim Ferris' personal journey; for
this film is also an autobiography. "Half of the experience of stargazing
is subjective," he claims, "It's what goes on behind the eye."
That's why he inserted himself into the film, he asserts. He wanted to share,
not only the lore, but also the love. Ferris first felt that love as a Florida
kid around the time of Sputnik. "We had big skies and small
telescopes," he says.
Playing the
teenage Tim is Patrick Ferris, real-life son of the filmmaker. Patrick, a deft
and dexterous blues guitarist and singer, establishes what for his dad was a
critical lifelong linkage between the act of observing the sky and the hearing
of music. Dire Straits' Mark Knopfler and Guy Fletcher tastefully score key
moments in the film. Audio documentarian Kate Hopkins' sound design is equal
parts authentic and evocative. And Oscar-winner Walter Murch sculpts the film's
final mix such that it's always singing to you on three levels at once: two
brain hemispheres plus a soul.
Seeing's
Long Tale
Beyond the
broadcast and the book, Ferris and PBS have found a way to foster the sky's
flair for starting conversations: peer-to-peer and down the generations.
They've wisely spent some National Science Foundation grant-dollars to emplace
a robotic telescope with a CCD camera 7,300 feet up, under the dry New Mexico
sky. The site boasts a clear view of the entire northern sky and southern
celestial objects down to about -45 degrees. If you're a student, admirable
snapshots of deep sky objects are now just a mouse-click away. You may request
as many photos as you like (one at a time) and easily 100,000+ targets are
snap-able with this new "Seeing
in the Dark Internet Telescope."
Seeing in
the dark is sadly getting harder to do. Ferris illuminates the menace of modern
light pollution, warning that only 20 percent of humans alive today have ever
seen our own home galaxy.
But even
under less-than-dark skies, you can still enjoy astronomy. Thanks to computers,
modern materials and manufacturing techniques, many more individuals find
themselves motivated to build their own personal shrines to the observable
Universe.
"Whether
you build, borrow or buy a telescope," says Timothy Ferris, "the aim
is to see." If you've ever given the stars more than a passing glance,
you'll likely see something in "Seeing in the Dark" that propels you
further into the sky. And it will probably take you significantly deeper into
your own mind.
"Seeing in the Dark," a PBS film by Timothy Ferris (Available on DVD).
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