OK, don't make a mistake: this isn't
really a movie about space. "The Astronaut Farmer" is the
quintessential American Story. That's right; it's the classic, archetypical,
consummate, perfected American myth, served up in packaging so homespun, you'll
wonder that the actors aren't dressed in quilts.
When it comes to this movie's theme,
you already know the drill, because during your childhood, Hollywood sauteed
your tender brain with the potboiler genre known as the Western. And what was
the icon of the Western? A rugged individual, hard as tool
steel on the outside, and soft as warm Jell-O within; a slouch-hatted pioneer who faced off against the dangerous peoples
and broken topography west of the Missouri.
A lone man who would ride into town, solve everyone's
problems, and then ride out of town, preferably at sunset.
It's the American myth, the Horatio
Alger genotype: you can be whatever you want to be, if you just apply yourself.
And you can do it without - and sometimes in spite of - the government. [IMAGES:
View scenes from the film.]
So as the music fades up on this
film, we see Bill Farmer riding into town, a hero who wants to trade the
western frontier for the final frontier. Farmer (who, despite the suggestive
name, is actually a rancher) has a deep, philosophical affection for space. He
even made it as far as NASA's
astronaut program, but washed out because he preferred attending to his family
over attending rocket-jockey school.
But now the kids are older, and
Farmer still wants to take a spin around the planet. So rather than going the
easy and fashionable route - namely, paying the Russians $20 million and
hitching a ride to the International
Space Station - Farmer aims to become a freelance astronaut. He figures he
can single-handedly accomplish in a year or two what it took tens of thousands
of NASA engineers a decade to pull off. That's right: he's going to weld
up a rocket in the backyard barn, strap himself in, pull the g's, and haul
himself (and ten thousand parts) into orbit [image].
After a lap or two around the globe, he'll fire the retro's, parachute back to his Texas ranch in a padded capsule, kiss the
kids, and live contentedly ever after. Have a nice day.
Now anyone who has any idea of the
complexity of a modern rocket will find this premise risible. You might as well
posit that a Navy pilot who's washed out of "Top Gun" class will bolt together
an F-14 Tomcat in his garage, and fly it to the nearest carrier.
But feasibility isn't what this is
about. The film is a nod to the growing clout of commercial space companies -
efforts like Burt
Rutan's Scaled Composites, Peter Diamandis'
X-Prize, and Jeff
Bezos' Blue Origin. Yesterday, if you wanted a
ride into space, you had only one type of vendor: the national space agencies.
Tomorrow will
be different.
The desirability of privatizing the
launch industry is often described with the chestnut that "if aviation had
remained in the hands of government, a flight from New
York to San Francisco
would cost $500 million, and refueling and retooling the plane for the flight
back would take three weeks." Of course, this sarcastic metaphor ignores
fundamental differences between aviation and spaceflight, but it appeals to the
American psyche because it's consonant with The Myth. "Leave it to a big
organization, and you'll get glacial progress at immense cost."
Needless to relate, it's simply not
true that the lone-wolf entrepreneur can inevitably beat the bureaucracy,
although there are plenty of encouraging examples. Consider FedEx versus the
Postal Service. Or Craig Venter's race against the U.S.
Government to sequence the human genome. We like our slouch-hatted, iconoclastic heroes, even if their experience is
atypical.
But of course, it is
atypical. In most cases, it's "the organization" that gets things done.
American individualism - steeped in can-do spirit and basted in Yankee
ingenuity - sure sounds nice. But America's top-drawer inventor,
Thomas Edison, had 1,093 successful patents during his lifetime. IBM had more
than three times that number just last year.
"The
Astronaut Farmer"
portrays America
the way the country likes to think of itself. And while you might whine that
this is delusional, it does have its up side. America will often take on projects
that seem impractical or even quixotic, simply because of its inherited
frontier culture. Is there some reason that nearly every SETI experiment
now running in the world (with one exception) is in the United States?
Is it because other countries don't have the telescopes? Don't have the money
or the expertise? The answers to these questions are all "no". Then why is
this true?
Perhaps it's for the same reason
that "The Astronaut Farmer" could only have been made in America.