A meeting with Crais turns into disaster.
What happened?
(First aired September 8, 2000)
Written by Gabrielle Stanton and Harry
Werksman, Jr.
Directed by Tony Tilse
GUEST STARS
Lani Tupu – Bialar Crais
Paul Goddard – Stark
Linda Cropper -- Fento
Peter Carroll -- Gahv
WHAT HAPPENED
Former Peacekeeper Captain Bialar Crais
has asked to rendezvous with Moya. Most of the crew takes a transport pod
over to his gunship Talyn, but only Aeryn
boards the ship.
To prove his good intentions, Crais
removes his neural link to Talyn and places the ship under manual control.
Only somewhat reassured, Crichton,
D’Argo,
Zhaan
and Stark join Crais and Aeryn.
Crais tells the others he needs their
help with Talyn, who is becoming dangerously aggressive. "You must help
me disarm him," he says.
Aboard Moya, Rygel
and Chiana
wait for the others. They become worried when a Plokavian ship arrives
– and are shocked when Talyn’s main gun obliterates it.
As a second Plokavian ship approaches,
Moya’s transport pod begins to return. Talyn starbursts out of the system,
but the Plokavian ship catches up with the transport pod.
The ship seizes the pod with tentacles.
Moments later, everyone aboard the transport pod is unconscious. (spoilers)
ANALYSIS
"Rashomon" stories -- in which we see
the same event from several different perspectives – have become a staple
of drama. This one is particularly effective.
Most of its power comes from the characters
themselves. After a year and a half of careful development, Crichton and
the gang are such strong personalities that it’s easy to construct five
wildly different viewpoints on a simple scene.
D’Argo and Zhaan provide the most extreme
viewpoints, but each the characters hears different lines, sees themselves
in different positions and relationships with each other.
More power comes from the execution
of those perspectives. Director Tony Tilse goes beyond the lines and blocking,
using the camera to express the characters.
Zhaan’s version of events relies heavily
on close-ups, on paying careful attention to each character’s expressions
and reactions. When D’Argo looks at Crais, the camera sometimes stands
back a little, making him look smaller and emphasizing his separation from
the others.
Last but not least, the Farscape
crew understands the value of restraint – in storytelling, that is;
the gross aliens and body function jokes are still ably represented. The
story is revealed in layers, with each telling adding a few crucial details.
Aeryn and Zhaan skip over Stark’s reaction
to Crais’ mention the Plokavians, but that reaction is crucial to the plot.
At the same time, Crichton’s balanced perspective is signaled by the way
his version uses lines and camera shots from all of the other four versions.
The script also avoids a trap common
to this kind of story: repeating too much. Each version repeats only what
it has to repeat, and the story keeps up the pace by making each tale more
focused than the last.
WHAT WE LEARN
Talyn has grown, and so have his weapons.
Crais is worried that the baby gunship's increasingly aggressive nature
will lead to disaster.
Stark’s people were enslaved by the
Plokavians, a vicious race of arms dealers.
UNANSWERED QUESTION
Will Stark return again?
Can Talyn’s aggressions be curbed?
TUNE IN NEXT WEEK
We meet some more Nebari, and discover
that they’re even punkier than Chiana in "A Clockwork Nebari".
Are you a dedicated Farscape
fan? The editor wants to know.