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'Andromeda' Going Outside Studio Mattes
By Don Lipper
Special to SPACE.com
posted: 02:19 pm ET
23 June 2000

GENE RODENBERRY’S ANDROMEDA  

In this exclusive Dispatch from Andromeda, Don Lipper speaks with Gene Roddenberry’s Andromeda co-executive producer and head writer Robert Hewitt Wolfe about location shooting, DV diluting, internet computing and convention saluting.


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Robert Hewitt Wolfe: Well, we’re shooting show [number] five right now, which is our first show we’re actually out and about in the nicely terraformed Greater Vancouver pine forest. It’s our first planet show, it’s looking pretty good. And very nicely, the Vancouver Film Commission actually managed to make the rain stop just in time for our exteriors. Hey, they are very powerful men.

SC: On Trek and especially DS9, you didn’t do much location shooting. Has it proved challenging?

RHW: Well, this particular crew had done locations. The challenges are basically getting the stuff on to location and having daylight last and matching weather and all that good stuff. But the good thing is that we’re shooting in a northern latitude in summer, so we basically have unlimited daylight.

It’s not like Trek where a lot of those people have been on the show 10 to 15 years and haven’t done a lot of exterior work. Not that they had problems with it, but it just wasn’t their normal mode of operation. Most shows do a lot more exteriors than Star Trek or Babylon 5 or any of those types of genre shows.

SC: Are you looking at the schedule and keeping in the mind the weather for the exteriors?

RHW: Oh, yeah. We want to shoot basically all our exteriors before October. The downside of being in a northern latitude is when you do want to shoot exteriors, if you don’t want to shoot night, you better shoot before winter otherwise the other side comes back to haunt you.

That’s why we’re scheduled to shoot from May through December instead of shooting June through February or July through February. We’re specifically trying to maximize our daylight hours when we want to go outside and to avoid the worst of the rainy season.

SC: Rain turns to snow, are you going to take advantage?

RHW: Well, rain doesn’t really turn to snow at sea level. In British Columbia, it turns to snow at higher altitudes, uh, it snows maybe two, three days a year in Vancouver and usually the rule of thumb is the day you write a script for snow, is the day it becomes unseasonably warm and snow melts.

SC: So we’re not going to see the cast of Andromeda climbing a mountain to get that nice visible breath and them shivering or…

RHW: Well, I wouldn’t rule it out. We’ll see. There are things that I said I’d never want to try to do on location that [co-executive producer] Allan [Eastman] seems very confident that we can pull off.

SC: Such as?

RHW: Shooting on water, on boats. I don’t know if we’ll ever actually do it or not but, he seems to think that we can pull it off. There are people on the crew who have experience doing that sort of thing.

SC: Didn’t they discover on Waterworld that one of the reasons that shooting on water is so difficult is because on a moving boat, you can’t keep the distance uniform and so the focal length is constantly changing?

RHW: Yeah, it’s a hugely complicated issue and obviously cameras run on electricity and batteries and they don’t like moisture. There’s all sorts of issues: some actors are comfortable on boats, some aren’t. Some actors can swim, some can’t. Some crew people can swim, some can’t.

The weather can change, it’s difficult to match because sometimes a body of water is very placid and waves don’t move at all. Then sometimes you wake up and there are waves. We are talking about the possibility of doing it for a specific episode but we’ll see. I remain open but cautious.

It’s the same with snow. If it works it’s wonderful, because it adds a lot of production value. We wanted to do a high-altitude, snow environment on Deep Space 9, the actors were on Mount Whitney and had to pretend that they were cold when it was 90 degrees outside. [Director] Allan Kroeker made it look cold but it was 90 degrees up there, it was incredibly hot. We’ll see if we can pull it off. There certainly are fjords, large bodies of water, rivers and mountains and there are a lot of wonderful natural environments within reasonable distance of where we’re shooting in Vancouver and we’d love to do them.


SC: Tribune’s already committed to 44 episodes or 2 years. Have they looked at the dailies yet and what is their feedback then?

RHW: Oh they’re happy. They’ve seen cuts of three episodes. As with all these things, you always want to do adjustments and make things better, but everyone’s happy with the first three episodes. They are very rough. There’s no music, very few effects, no post sound, no ADR, none of that, but even dry they are playing really well. Fast paced, fun, exciting, interesting with good character stuff, so they’re happy.

SC: You’re shooting on film, not DV [Digital Video], right?

RHW: We’re shooting on film right now, we’re shooting in 35 millimeter. We have looked into DV, there’s a possibility we may eventually shift over. We had so many things to deal with starting up that trying to figure out a new technology on top of that was a little intimidating. We didn’t want to have to worry about how our cameras were gonna work. But they are using it on [fellow Tribune series] Earth: Final Conflict right now.

It seems like it’s going quite well, so based on how they do, we’ll make that decision on when, if and when we’ll switch over. But I think there is a strong possibility that we’ll do that.

SC: Has there started to become a buzz about the show, now that you’re in production, or are you pretty much isolated from what’s happening in the outside world?

RHW: It’s hard to tell. I mean it seems like there’s some interest building, especially on the Internet. I’m going to a convention at the end of the month, and we’ll see how many people show up and how interested they are in what we’re doing.

SC: Which convention?

RHW: Dragon*Con in Atlanta, June 29-July 2. If you look at the Internet there seems to be a pretty high amount of activity but that sometimes that’s very indicative of what’s going on in the general population and sometimes it can be a little distorted so.

SC: Are you going to be showing anything at the convention?

RHW: It’s possible.

SC: Cool. Are you gonna be making a presentation at San Diego Comic-Con?

RHW: Uh, yeah, I think so. I know I’m doing Dragon*Con and then 95 percent sure I’m doing Comic-Con [July 20-23].

SC: Is any of the talent doing Comic-Con?

RHW: It’s unlikely just because we’re so far away. I’m not sure 100 percent about that but it is tough when they are in Vancouver for them to get down to do stuff like that.


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