Babylon 5: soap
opera or just good clean fun?
Interesting analysis. Never
thought of it that way. But then again, aren't most dramas reducible to
soap operas?
While you have pointed to
the "juicy bits" in B5's storyline as proof of its soap operatic
nature, you neglect to mention that these events took place over five years!!
To not have any love interests
in any story which spans several years would make the characters unbelievable
and wooden. People fall in love all the time and quite often find themselves
in love triangles. I don't know about you, but I think anyone who has no
love interest in five years of adult life has a problem.
If anything the characters
in B5 were more steadfast in their affections than our general population
(where the average length of marriage is 5-7 years). Even the "bed-hopping"
Lise has only three relationships in 25+ years --it is never specified
exactly how long before the show she and Garibaldi had been an item.
Yes, Delenn and Sheridan
did face objections on her side -- but that is to be expected when one
changes one's species to that of a former enemy. The objections did not
come from her family but from her society. The issues were primarily of
power and interpretation of ancient text which is quite different from
saying her family objected.
It is true that two of John's
ex-wives made appearances, but only one truly attempted to break up Delenn
and Sheridan -- and she wasn't completely human anymore.
B5 is a sci-fi story and
it is the role of sci-fi to push the borders of normal science. Straczynski
often chose to push the supposedly absolute boundary of death.
Reanimating the dead as an
element in a sci-fi story certainly dates back at least as far as Mary
Shelley's Frankenstein -- and I doubt anyone would say Frankenstein
is a soap opera.
Yes there are common elements
between B5 and a soap opera, but it is a question of focus. Soap
operas exist merely for the "juicy bits" -- triangles, gossip, etc. The
events in a soap opera occur with unbelievable rapidity and redundancy.
B5 on the other hand
was a multifaceted story which dealt with almost all the major questions
in life including what it is that lies between good and evil. It took five
years to fully explore these concepts. The characters were fully developed
in order to further deepen the viewer's appreciation and understanding.
To compare B5 to a
soap opera is to miss the point and I feel very sorry for you that you
missed what this masterful series offered the viewers.
On the other hand, B5
only had 110 hour-long episodes and a few movies -- which would run about
six months on the typical soap opera schedule. Maybe the time scale isn't
so different after all . . .
Ms. Parks may be unaware
that the definitive difference between J.M. Straczynski's Babylon 5
concept and all other sci-fi television series to date, was that he had
a five-year story arc. The main plot elements were established from the
beginning, and everything unfolded from the overarching epic.
Character development, including
love stories, was an entertaining bonus, but this was not the driving force
for B5, as it is for true "soap operas," whose unanchored storylines
drag them aimlessly about. Babylon 5 always knew where it was going.
Jo-Ann is a fan of the
series, and definitely aware of the five-year storyline. But while soaps
aren't designed to end, don't they also do more advance planning than the
typical pre-B5 television drama?
More people who think
Mission
to Mars stunk
Having seen the film recently,
I can plainly see where Hollywood has given what would have otherwise been
a beautifully constructed film a bit of a far-fetched feel. Apparently,
Hollywood directors feel the need to completely ruin Oscar-caliber performances
and winning graphics with hokey "we're not alone" moments.
The last half-hour of the
film made me nauseous. Without the terrible "alien" in it, the movie would
have been fine.
Next time, Mr. De Palma,
don't let Hollywood get in the way of your filmmaking. You've turned a
beautiful story into more mindless drivel.
Great
article!
I do feel compelled to add
my little bit. 2001: A Space Odyssey is for me the most profound
and awe-inspiring film I've ever experienced.
I remember reading an interview
with Stanley Kubrick in which he mentioned his desire to make movies that
leave you with a lingering feeling of some kind. 2001 did exactly
that for me.
Mission to Mars --
and for that matter every science fiction film since 1968 -- can't come
close to its fantastic artistic quality and vision. Today, science fiction
suffers from the loud, prepubescent action-packed nonsense that filled
the covers of magazines so many years ago, when the genre was primarily
aimed at youngsters.
Obviously, films must aim
for the widest appeal, but the public is not stupid. Mission to Mars
concluded with a goofy climax that can only be pure Disney in origin, and
the audience was mostly dumbfounded by the film's awkwardness and stupidity.
I heard a lot of giggling and disappointed sighs that night.
2001 had the opposite
effect: audiences sat there after the movie cursing the fact that it blew
right over their heads. But it had the lingering effect Kubrick desired,
it made us think about many things on many different levels across millions
of years. It is considered to be among the greatest films ever made.
I was not really disappointed
in Mission to Mars, because I already expected to see the typical
childish space-geekness so common in today's "scientifically-inspired"
films.
Despite the wonderful attention
dedicated to the fascinating
hardware, Mars itself seemed exaggerated. My vision of Mars is that
it is probably not so red as we imagine it is, and that the sky is a thin,
featureless veil of orange-pink that dissolves into darkness as one looks
toward the zenith.
In any event, 2001
is a standard, as is Alien to some degree. These two films demonstrate
what good science fiction is supposed to look like.
Lest we forget . . .
. . . Mr. Colicos also appeared
in an episode of the original Star Trek series, "Errand of Mercy".
We were hoping someone
would mention that. Indeed the late John Colicos did, reprising the role
years later on Deep Space Nine. Unfortunately, the Associated Press didn't
bother to mention Star Trek in its obituary of Colicos, and our contract
with them prevents us from changing or adding to their stories.
Looking forward to Spielberg
finishing Kubrick's work
Fabulous! I think that Spielberg
will be an exceptional director for this
film. He is also probably the only director who knew Kubrick well enough
and has enough talent himself to do the film right.
What do you think? Send your
comments to the editor.