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Stephen Baxter's Space Arks
By Neal Robinson
Special to SPACE.com
posted: 02:00 pm ET
01 May 2000

It seems that every human civilization has stories about it’s beginning, and it’s eventual ending  
We seem fascinated with stories of humanity's destruction and possible rebirth. Some express that fascination by moving to Montana with copious amounts of canned goods, but others go into space with author Stephen Baxter.

Appropriately enough as we cross the psychological divide of a new millennium, two of Baxter's novels in particular-- Ring and Titan -- are interesting as variations of the oldest apocalyptic story, the Deluge.


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The Baxterium

In both books, a lack of vision leads to the near-extermination of humanity, leaving a small fragment to shoulder responsibility for a possible redemption and rebirth of the species.

Final mission

Titan (1997) is the closer of the two novels to the present day, and the smaller in scale. In the early 21st century, the Cassini probe has detected possible signs of life on Titan, but a space shuttle disaster has sapped the momentum of space exploration efforts.

Knowing that they may be launching the last crewed space mission, a group of maverick scientists and astronauts refit the Space Shuttle Discovery for a one-way trip to the Saturnian moon. It’s a mission far beyond what the vehicle was designed to do, but Discovery manages to limp its way to Saturn even as civilization collapses behind it.

Baxter depicts the voyage with his customary attention to realism and detail, but Titan is not a tale of high adventure and derring-do, nor a gritty human drama. Even the mysteries of Titan seem to be an afterthought -- instead, he seems to be warning us that a reckoning awaits us if we lose our sense of wonder and willingness to explore.

A pro-exploration allegory

The Shuttle crash that opens the novel is a symbolic death, the final end of the "can do" NASA spirit of the 1960s and early 1970s. Baxter goes on to decry the corruption and organization infighting of the late 1970s, the incompetence of the 1980s and the blundering small-mindedness of the "faster, better, cheaper" 1990s.

The characterizations and situations are extreme because they are allegorical counterparts to real events. When the Air Force attempts to shoot down the Discovery in Titan, it recalls the service’s real-life efforts to derail the shuttle project.

Baxter also takes shots at dim-witted voters, rabid nationalists and myopic foreign policy. Each of the figures which appears in the novel is an extreme – but all have real-world counterparts.

In the end, the story resembles nothing so much as the tale of Noah and the ark. It is a story of the faithful, guided by an inner vision to attempt a seemingly ridiculous project, leading to a dangerous voyage that allows a few survivors to begin again after the sinful world has its day of judgment.

Slow boat to the future

Baxter's earlier novel Ring (1994) takes a different tone and a larger view, but there’s still plenty of apocalypse to go around.

Here, after colonizing the solar system, humanity has developed time travel using "exotic matter wormholes," only to discover that something is horribly wrong five million years in the future.

The stars are aging rapidly, leaving the main sequence state that best supports human life in short supply. Humanity quickly implements an audacious plan to send a ship through a wormhole to investigate the phenomenon – but can any culture survive the 1,000 subjective years the trip will take?

Ring is more of a straightforward science fiction adventure than Titan. The story sprawls over millions of years and galactic distances, and there’s plenty of amazing technology to inspire wonder.

Want to see whips made of superstring a quarter-million miles long? How about a neutron star used as a wrecking ball, a construction project the size of the solar system, or a quantum singularity cannon?

Despite the scale, Baxter’s universe is ruthlessly efficient and logically developed from current cosmological theory. The human characters are difficult to relate to, but for a different reason than in Titan: instead of being allegorical abstractions, they are alien members of a golden-age culture of immortals.

Death by pride

In both Titan and Ring, spaceships end up saving the last survivors of terrestrial life from devastation.

Taken together, the books present a complex message. If humanity is to survive, we must learn to think big, but we must also learn to keep things in perspective.

Humanity is destroyed in both novels because we are unable -- or unwilling -- to see the forest for the trees. In Titan, our refusal to see the endless wonder that the universe has to offer seals our doom, while in Ring, the golden age ends when the immortals fail to acknowledge the existence of powers greater than themselves.

In Baxter’s view, we should spend our energy finding out whether there is life on Titan instead of arguing over who controls Taiwan. While humanity may not be the biggest kids on the block, there is plenty of block to go around, and maybe those godlike aliens know something that we don’t.

To follow the allegory, perhaps we may just find a glorious destiny if we choose to keep the big picture in mind and our egos under control.


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